Practical guides, expert advice and resources to manage, value and grow your comic book collection.
Six booklets carry a distinct value, from 1964 to 1974. How to prioritize your purchases, and why the most expensive is not indexed to its name.
Read article →1941 then 1987, and almost nothing in between: what a character published for forty years in a supplementary section, in other people's magazines, is worth.
Read article →Western from the 1940s, biker from 1972, revival from the 1990s: three bodies of work with opposing economies. How to distinguish them before any estimation.
Read article →Which issue is worth more, why the Silver Surfer doubles demand and how to spot British pence editions, valued below.
Read article →When only one person writes and draws, two demands overlap. What this changes is the price, the purchase of the run and the resale.
Read article →Daredevil #131 (1976) alone dominates the file. Four pricing schemes in eighteen months: 25¢, 30¢ trial, 9p British, department store copies.
Read article →Brainiac's comic rating focuses on Action Comics #242. Which varies the price, the numbers to watch for and the method for estimating a copy.
Read article →On the golden age, we buy an image: why two fascicles from 1947 compete for the title of key, and why the one from 1969 is the best report.
Read article →Neither the screen nor the criticism: it is the renewal of the readership which makes this file rise. No variation to unravel, everything depends on the state.
Read article →Its magic is read before it is seen: how each series has solved this graphic problem, from the 1993 ornament to the backwards-written title of 2025.
Read article →Innocence Lost, Target X, All-New Wolverine, Marjorie Liu, Mariko Tamaki: what each series brings and in what order to approach them.
Read article →Denny O'Neil (1983-1985) where Rhodes IS Iron Man, Michelinie-Byrne-Layton (1979), the 1994 solo series, Greg Pak (2009). Short windows, therefore complete.
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