Practical guides, expert advice and resources to manage, value and grow your comic book collection.
Not a particular sensitivity but a structural decision: friendship as the axis, and decisions that arise from a job rather than a romance.
Read article →Each series is a closed story and none presupposes the others. Exit points that leave nothing undone, and the only exception.
Read article →What color does to a page, what it replaces with inking, and why it shifts the collector's question from the cover to the print run.
Read article →Three demonstrations that the community considered improbable in 1993. An influence which is not measured by the successors but by the arguments that it has withdrawn.
Read article →A self-published author has no one to sell his rights abroad. What it involves before starting a series, and how to compose despite the gaps.
Read article →Neither the plot nor the drawing: the dialogues. How they work, what they allow, and why his stories are reread.
Read article →One hundred and fifty chapters in total. One volume to test, two short series to confirm, the major work last, and the three unnecessary expenses to avoid.
Read article →Advance printing, go through the distributor, decide on reprints, manage stock. What the model requires, and the traces it leaves on objects.
Read article →A disappearance holds when it has a structural function, not just a dramatic one.
Read article →In an ad title, the year that counts is the one that accompanies the name of the collection, not the one that accompanies the character.
Read article →Three formulations to designate the same thing: research that uses only one misses the others.
Read article →The position in the summary is information that the market integrates and that inventories ignore.
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