A screenwriter doesn't write the same depending on who draws
Three boxes per page on one side, eight on the other, same author. What requires these adjustments, and how to check it in six numbers.
Read article →
Practical guides, expert advice and resources to manage, value and grow your comic book collection.
Three boxes per page on one side, eight on the other, same author. What requires these adjustments, and how to check it in six numbers.
Read article →Six characters, one and a half pages each: the wall of the group story. The alternation solution and the three symptoms of its absence.
Read article →The market pays for the moment of creation and ignores the work of construction. What the order regime produces, forty years later.
Read article →Locate, compensate, reveal, maintain: four functions eliminated with the tool. What we gained, what we never replaced.
Read article →What a character death produces, what it costs, and why its cancellation retroactively damages already published issues.
Read article →Series between $6.99 and $15.99 median, including most cited work. The value is not distributed, it is punctual.
Read article →Each appearance informs, therefore reassures. How a horror series can last, and why its best numbers seem sedate.
Read article →Arbitrate schedules, match teams, absorb incidents. What this post teaches, and why it leaves no signed trail.
Read article →Four contradictory demands to satisfy at once. Why the recurring flaws in these stories are structural and not clumsiness.
Read article →Factual continuity versus consequential continuity. What the second costs, what it makes free, and why the industry discourages it.
Read article →Entries between $0.99 and $2.99, two exceptions to keep aside. Why a flat market is the material condition for an orderly reading.
Read article →Five ads, one price, identical wording: counting ads is not counting sellers.
Read article →