Twenty years: a disappearance that lasted, and why
A disappearance holds when it has a structural function, not just a dramatic one.
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A disappearance holds when it has a structural function, not just a dramatic one.
Read article →In an ad title, the year that counts is the one that accompanies the name of the collection, not the one that accompanies the character.
Read article →Three formulations to designate the same thing: research that uses only one misses the others.
Read article →The position in the summary is information that the market integrates and that inventories ignore.
Read article →Poems, songs, silent plates. What they do to the story, the argument of those who reject them, and why the binding matters here.
Read article →Two characters constructed in opposition on everything except the essential. Why we judge one wrongly, and why David is not a rival.
Read article →Three number ones, three collections of collections, reprints invisible from the front. The only stable unit is the chapter range.
Read article →Enough pages to introduce new characters without engaging current continuity.
Read article →Forty years, four publishers, four numberings. You can start anywhere — the real obstacle is elsewhere.
Read article →Asking prices as of August 29, 2026: three publishers, three relaunches, $14.99 each. And a first appearance which has more graded copies than raw ones.
Read article →He practiced lettering as a profession before becoming an author. What this changes in the density of the pages, the translated reissues and the fluidity of reading.
Read article →The same mention accompanies an advertisement for $0.99 and copies a hundred times more expensive: the label says nothing, the edition and the condition do.
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