An editorial event is an engineering problem disguised as a story
Four contradictory demands to satisfy at once. Why the recurring flaws in these stories are structural and not clumsiness.
Read article →
Practical guides, expert advice and resources to manage, value and grow your comic book collection.
Four contradictory demands to satisfy at once. Why the recurring flaws in these stories are structural and not clumsiness.
Read article →Factual continuity versus consequential continuity. What the second costs, what it makes free, and why the industry discourages it.
Read article →Entries between $0.99 and $2.99, two exceptions to keep aside. Why a flat market is the material condition for an orderly reading.
Read article →Five ads, one price, identical wording: counting ads is not counting sellers.
Read article →145 ads for a single issue and a median of ten dollars: the fame of an episode produces abundance, it does not produce scarcity.
Read article →A three-letter abbreviation separates two issues bearing the same number in the same series — lost during copying, the copy cannot be found.
Read article →Neighboring issues of the same series and the same year are asked for ten to thirty dollars: what carries the price is the content, not the seniority.
Read article →Two neighboring issues claim the same first appearance and are both right: one shows the equipment, the other the character.
Read article →The person first, the costumed identity much later — and there is no obligation to specify which one.
Read article →The creator is an intention, the creature is a conflict. The market records it, a few numbers apart.
Read article →Two exact mentions, two separate booklets published one number apart: the market does not buy the same thing as the reader.
Read article →A copy without a cover fetched $54.99, above four complete objects from the same statement: incomplete is a category, not a reject.
Read article →